Category: News

The 67th Annual Grammy Awards, held at the Crypto.com Arena in Los Angeles, have once again captured the hearts and imaginations of music fans worldwide, including a massive following in Mainland China. Despite the time difference, Chinese audiences were glued to their screens, eagerly absorbing every moment of music’s most glittering night.

Beyoncé’s Long-Awaited Crown
The queen of music, Beyoncé, finally clinched the elusive Album of the Year award for her groundbreaking album “Cowboy Carter.” Her acceptance speech, poignant and filled with gratitude, had viewers across China reaching for their tissues. “It’s been many, many years,” Beyoncé remarked, a sentiment that resonated deeply with fans who’ve followed her journey through the highs and lows of Grammy history. Her win was not just a personal victory but a celebration of diversity and the enduring power of music that transcends borders.

Kendrick Lamar’s Dominance
Kendrick Lamar, a name synonymous with lyrical prowess and impactful storytelling, swept several awards, including Record of the Year and Song of the Year for “Not Like Us.” His performance, a blend of raw energy and artistic expression, showcased why he remains a global icon. In China, where hip-hop has found a burgeoning audience, Lamar’s achievements sparked conversations about the genre’s influence and the transformative power of music as a cultural narrative.

Charli XCX’s Memorable Medley
Charli XCX’s performance was the epitome of cool, with her signature blend of pop and electronic dance music lighting up the stage. Her medley from “Brat” had everyone from Beijing to Shanghai grooving in their living rooms. The visual spectacle, complete with a car and a shoutout to Julia Fox, was a testament to Charli’s innovative spirit, making her a favorite among the younger Chinese crowd who crave the pulse of modern pop culture.

A Night of Solidarity and Tribute
The ceremony wasn’t just about the awards; it was a moment of unity. Los Angeles firefighters presented the Album of the Year award, their presence a poignant reminder of the recent wildfires that ravaged California. This gesture of solidarity struck a chord with Chinese viewers, many of whom have faced similar natural disasters, fostering a sense of global community through shared human experiences.

Red Carpet Moments
From Bianca Censori’s daring sheer ensemble to Taylor Swift’s celebratory dance with champagne, the red carpet served up fashion moments that had Chinese fashion bloggers buzzing. The blend of high fashion and personal style was a visual feast, showcasing how music and fashion intertwine to create memorable moments.

China’s Connection to the Grammys
While no Chinese artist took home a Grammy this year, the event’s global reach means it’s a cultural touchstone for music lovers in China. The discussions on social media platforms were rife with admiration for the performances, fashion, and the sheer talent on display. Streaming platforms in China buzzed with requests for the night’s standout tracks, bridging the gap between East and West through the universal language of music.

As the lights dimmed in Los Angeles, the excitement didn’t wane in China. Fans are already anticipating next year’s awards, hoping for more representation and perhaps, a Chinese nominee in the mix. The Grammys, in their grandeur, remind us that music is a global celebration, one where every note, every beat, and every melody connects us all.

The 2025 Grammy Awards not only celebrated the art of music but also highlighted the shared human experience, resonating deeply with audiences in China, proving once again that when it comes to music, we’re all part of the same symphony.

In a significant development for China’s entertainment sector, Wanda Cinema Line, a subsidiary of the Dalian Wanda Group, announced on May 15, 2017, that it had acquired a 1.875% stake in Bona Film Group, one of China’s leading film production and distribution companies, for RMB 300 million ($43.5 million). This strategic investment not only strengthens Wanda’s position in the film industry but also highlights the growing consolidation of China’s entertainment market.

A Win-Win Partnership

The deal between Wanda Cinema Line and Bona Film Group is a classic example of synergy in the entertainment industry. Wanda, known for its dominance in cinema exhibition, operates 416 theaters with 3,654 screens across China, making it the largest cinema chain in the country. On the other hand, Bona Film Group, established in 1999, is a powerhouse in film production and distribution, with a portfolio of critically acclaimed and commercially successful films such as Operation Mekong and From Vegas to Macau 3.

Under the terms of the agreement, all Bona-owned cinemas—currently 41 theaters with 336 screens—will be integrated into Wanda’s cinema circuit, either immediately or upon the expiration of existing contracts. This move allows Wanda to expand its exhibition network while providing Bona with access to Wanda’s vast distribution resources. Additionally, the two companies agreed to collaborate on advertising and film investments, further solidifying their partnership.

Strategic Implications for the Industry

The acquisition is part of Wanda’s broader strategy to dominate the global entertainment market. Dalian Wanda Group, led by billionaire Wang Jianlin, has set an ambitious goal of controlling 20% of the world’s movie screens. This investment in Bona aligns with that vision, as it strengthens Wanda’s foothold in China’s rapidly growing film industry.

For Bona, the deal provides much-needed financial support and access to Wanda’s extensive resources. Bona had previously delisted from the NASDAQ in 2016, citing higher valuations in China’s domestic market. With Wanda’s backing, Bona is better positioned to compete with other major players like Huayi Bros and Enlight Media, as well as to pursue its goal of relisting on China’s A-share market.

A Changing Landscape

The partnership between Wanda and Bona reflects the evolving dynamics of China’s film industry. While Wanda excels in exhibition, it has struggled to produce high-quality content, as evidenced by the relatively modest box office performance of its films compared to Bona’s blockbusters. By leveraging Bona’s expertise in production and distribution, Wanda aims to create a more integrated entertainment ecosystem, from content creation to audience engagement.

However, the deal has raised concerns about anti-competitive behavior, as the consolidation of two major players could marginalize smaller exhibitors and producers. Despite these concerns, the collaboration is seen as a necessary step for Chinese film companies to compete with Hollywood and other global entertainment giants.

Looking Ahead

The Wanda-Bona partnership is a landmark moment in China’s entertainment industry, signaling a shift toward greater integration and collaboration. As Wanda continues to expand its global footprint and Bona strengthens its domestic presence, the two companies are poised to shape the future of filmmaking and distribution in China and beyond.

This strategic alliance not only enhances their market positions but also underscores the importance of innovation and adaptability in an increasingly competitive and interconnected industry.

The 2025 “Happy Chinese New Year” global launching ceremony and gala, held in Kuala Lumpur, Malaysia, on January 25, 2025, was a dazzling celebration of cultural exchange and global unity. The event, organized by the Chinese Ministry of Culture and Tourism, marked the 25th anniversary of the annual “Happy Chinese New Year” celebrations and the first Chinese New Year following its inscription on UNESCO’s list of Intangible Cultural Heritage of Humanity.

The ceremony kicked off with a symbolic “dotting of the lion’s eyes” ritual, performed by distinguished guests including Malaysian Prime Minister Anwar Ibrahim, China’s Minister of Culture and Tourism Sun Yeli, and Malaysian Minister of Tourism, Arts, and Culture Tiong King Sing. This traditional act, believed to bring good luck and prosperity, officially inaugurated the festivities.

A Global Stage for Cultural Fusion

The gala featured a stunning lineup of performances by artists from China, Malaysia, Britain, France, the United States, New Zealand, Egypt, Cambodia, Kazakhstan, and other countries. These collaborations showcased the rich cultural essence of the Spring Festival, blending traditional Chinese elements with international artistry. Highlights included:

• Traditional Chinese Wushu performances, demonstrating the grace and power of martial arts.
• A mesmerizing drone light show at the iconic Petronas Twin Towers, featuring over 1,200 drones that painted the night sky with festive imagery.
• A duet by Chinese singer Sun Nan and Malaysian singer Shila Amzah, symbolizing the harmony between cultures.
• A vibrant drum-beating performance that energized the audience and set the tone for the evening.

A Celebration of Unity and Heritage

In his speech, Prime Minister Anwar Ibrahim emphasized the importance of cultural exchange in fostering global understanding and cooperation. He praised the event for bringing together diverse cultures under the shared spirit of the Spring Festival.

Minister Sun Yeli highlighted the significance of the Chinese New Year’s UNESCO recognition, calling it a milestone in preserving and promoting Chinese cultural heritage. He also announced that the 2025 celebrations would feature nearly 500 diverse performances and exhibitions across more than 100 countries and regions, making it the largest and most widespread edition to date.

A Festive Atmosphere of Global Celebration

The gala was not just a showcase of performances but also a celebration of unity, happiness, and harmony. The festive atmosphere resonated with audiences worldwide, as the event was broadcast live, allowing millions to join in the celebration.

As the night concluded with a grand group photo of performers and organizers, the message was clear: the “Happy Chinese New Year” celebrations are more than just a festival—they are a bridge connecting cultures, fostering mutual respect, and spreading joy across the globe.

The micro-drama industry in China has emerged as a cultural and economic juggernaut, revolutionizing the way stories are told and consumed. With its fast-paced storytelling, cost-effective production, and innovative formats, micro-dramas have become a vital part of China’s cultural landscape. In 2024, the industry’s revenue soared to 50.44 billion yuan ($6.8 billion), surpassing the domestic film box office for the first time, and is projected to exceed 100 billion yuan ($14 billion) by 2027 .

The Rise of Micro-Dramas

Micro-dramas, typically lasting between one to three minutes per episode, are designed for mobile consumption. They cater to the fragmented, fast-paced lifestyles of modern audiences, offering quick, engaging, and addictive content. These bite-sized dramas often feature cliffhangers, dramatic twists, and relatable characters, making them perfect for on-the-go viewing during commutes, breaks, or leisure time .

The industry’s explosive growth is fueled by platforms like Douyin (TikTok) and dedicated apps such as ReelShort and Melolo, which have made micro-dramas accessible to millions. In 2024, the number of micro-drama users in China reached 576 million, accounting for 52.4% of total internet users .

A New Era of Storytelling

Micro-dramas are not just a cultural phenomenon; they are a new art form. Unlike traditional TV dramas or films, micro-dramas are produced on an industrial scale, with entire series often completed in just a few weeks. This rapid production cycle allows creators to quickly adapt to audience preferences and market trends .

The content of micro-dramas is diverse, ranging from romantic comedies and thrillers to historical fantasies and supernatural tales. Popular themes include rags-to-riches stories, revenge sagas, and time-travel adventures, often infused with elements of Chinese culture and history. For example, the series Chasing His Wife, But Failing and The CEO Who Becomes My Secretary have captivated audiences with their dramatic plots and relatable characters .

Economic Impact and Global Expansion

The micro-drama boom has created significant economic opportunities, particularly in Hengdian, China’s largest film and television production base. In 2024, over 1,000 micro-drama crews flocked to Hengdian, transforming the city into a hub for short-form content production. The industry has also revitalized related sectors, such as tourism and cultural parks, with filming zones generating substantial revenue .

Internationally, micro-dramas are gaining traction in markets like the United States, Europe, and Southeast Asia. Platforms like ReelShort and Melolo have tailored content for Western audiences, incorporating themes like werewolves, vampires, and billionaire romances to resonate with local tastes. In the U.S. alone, Chinese micro-drama apps generated $151 million in revenue in 2024, accounting for 64.8% of total income from overseas markets .

Challenges and Future Directions

Despite its success, the micro-drama industry faces challenges, including criticism of repetitive content and vulgar themes. To address these issues, the National Radio and Television Administration (NRTA) has launched the “Micro Drama Plus” initiative, aimed at promoting high-quality productions and integrating micro-dramas with other industries, such as tourism, education, and cultural heritage preservation .

The initiative includes programs like “Travel Through Micro Dramas”, which produces short series highlighting cultural landmarks and natural landscapes, inspiring viewers to visit these sites. Additionally, the NRTA is encouraging the use of cutting-edge technology and AI-generated content to enhance production quality and expand the industry’s global reach .

China’s micro-drama industry is a testament to the power of innovation and adaptability in the digital age. By blending fast-paced storytelling, cultural richness, and economic potential, micro-dramas have become a global phenomenon. As the industry continues to evolve, it promises to not only entertain but also bridge cultural divides and tell China’s stories to the world .

The Princeton Shanghai Peking Opera Immersion Program, held during Princeton University’s Wintersession from January 13 to 24, 2025, offered students, faculty, and staff a rare opportunity to immerse themselves in the rich traditions of Peking Opera. This program, a collaboration between Princeton University and professional Peking Opera artists from Shanghai, provided participants with hands-on training in singing, acting, martial arts, and more, under the guidance of some of China’s most celebrated performers.

A Unique Cultural Exchange

The program featured Madame Shi Yihong, a renowned Peking Opera artist often compared to Maria Callas for her artistry and stature. She was accompanied by three young artists—Yu Hui, Cai Xiaoying, and Xu Zhaoying—who specialize in male (sheng), female (dan), and painted-face (jing) roles, respectively. Together, they led participants through an intensive two-week curriculum designed to deepen their understanding of Peking Opera’s intricate techniques and cultural significance.

Week 1: Foundations of Peking Opera

The first week focused on introducing participants to the basics of Peking Opera. From January 13 to 17, students learned fundamental movements, singing techniques, and the use of traditional props like water sleeves, spears, and fans. The week culminated in a public masterclass led by Madame Shi Yihong on January 17, where she demonstrated the finer points of Peking Opera performance and shared insights into her illustrious career.

Week 2: Role-Specific Training

The second week, from January 20 to 24, delved deeper into role-specific training. Participants chose a character or aria to study, learning the unique skills required for their chosen role, including makeup application, beard-wearing techniques, and advanced movements. The week concluded with a recital on January 24, where students showcased their newfound skills in a public performance at Princeton’s Taplin Auditorium. Madame Shi Yihong also conducted a final masterclass, offering feedback and celebrating the participants’ progress.

A Celebration of Tradition and Innovation

The program not only highlighted the traditional aspects of Peking Opera but also emphasized its relevance in contemporary culture. Participants explored how this ancient art form continues to evolve, blending classical techniques with modern interpretations. The inclusion of a film screening series—featuring classics like Farewell My Concubine (1993) and Painted Face (1988)—further enriched the experience, offering historical and cultural context to the art form.

A Global Platform for Peking Opera

The Princeton Shanghai Peking Opera Immersion Program is part of a broader effort to promote Peking Opera on the global stage. By bringing together students, artists, and audiences from diverse backgrounds, the program fosters cross-cultural understanding and appreciation for this quintessentially Chinese art form. As Madame Shi Yihong noted, “Peking Opera is not just a performance; it’s a way of life, a bridge between the past and the present”.

In a groundbreaking move that blends East and West, China’s annual Lunar New Year Gala will feature a performance by the American rock band OneRepublic, marking a rare inclusion of Western artists in the country’s most-watched television event. The announcement has sparked excitement among fans worldwide, as the gala, traditionally a tightly curated showcase of Chinese culture and politics, takes a bold step toward global inclusivity.

The band, known for hits like Counting Stars and Apologize, filmed their segment in collaboration with a Chinese television crew after their electrifying concert in Wuhan on January 16. Sources close to the production reveal that OneRepublic’s performance will be a highlight of the gala, blending their signature sound with traditional Chinese elements to create a unique cultural fusion.

“This is a historic moment for the Lunar New Year Gala,” said a spokesperson for China Central Television (CCTV), which produces the event. “OneRepublic’s participation symbolizes the spirit of cultural exchange and mutual respect, reflecting the gala’s evolving role as a bridge between China and the world.”

The Lunar New Year Gala, often referred to as the “Spring Festival Gala,” is a staple of Chinese New Year celebrations, drawing over a billion viewers annually. Known for its elaborate performances, comedy skits, and patriotic themes, the gala has rarely featured Western artists in its 40-year history. OneRepublic’s inclusion is seen as a strategic move to appeal to younger, globally connected audiences while maintaining the event’s cultural significance.

Fans of the band have taken to social media to express their excitement. “OneRepublic performing at the Lunar New Year Gala? This is the crossover I didn’t know I needed!” tweeted one user. Another commented, “Finally, the gala is embracing global talent. Can’t wait to see how they incorporate Chinese traditions into their performance.”

The collaboration also highlights the growing influence of Western entertainment in China’s cultural landscape. OneRepublic’s frontman, Ryan Tedder, has previously expressed admiration for Chinese culture, calling the opportunity to perform at the gala “a dream come true.”

As the countdown to the Lunar New Year begins, anticipation is building for what promises to be a memorable and historic moment in the gala’s storied history. Whether you’re a fan of rock music, Chinese traditions, or simply groundbreaking cultural moments, this is one performance you won’t want to miss.

Stay tuned for more updates as the gala airs on February 10, 2025, and witness the magic of East meets West on one of the world’s biggest stages.

The 2025 Spring Festival is shaping up to be a cinematic extravaganza, as six highly anticipated domestic films prepare to hit theaters, promising to deliver a record-breaking box office performance. With pre-sales already surpassing 525 million yuan ($73.2 million), this year’s holiday season is set to be a celebration of Chinese storytelling, star power, and cinematic excellence.

Leading the charge is The Legend of the Condor Heroes: The Great Hero, a lavish adaptation of Jin Yong’s iconic wuxia novel. Boasting a star-studded cast, breathtaking action sequences, and a nostalgic nod to one of China’s most beloved literary works, the film has already captured the imagination of audiences nationwide. Close on its heels is Ne Zha 2, the long-awaited sequel to the 2019 animated blockbuster that grossed over 5 billion yuan. With its stunning visuals and heartwarming story, Ne Zha 2 is expected to be a family favorite, drawing in viewers of all ages.

Other standout releases include Creation of the Gods II: Demon Force, the next installment in the epic fantasy franchise, and Pegasus 2, a high-octane racing drama starring Shen Teng, one of China’s most bankable comedy actors. These films, along with The Wandering Earth 3 and The Battle at Lake Changjin 3, round out a lineup that showcases the diversity and ambition of Chinese cinema.

Industry insiders are optimistic about the season’s potential, predicting that domestic films will account for over 80% of the box office share. This dominance reflects not only the rising quality of Chinese productions but also the growing cultural pride among audiences, who are increasingly choosing homegrown stories over Hollywood imports.

To further boost cinema attendance, the China Film Administration has launched a 600 million yuan subsidy campaign, offering discounted tickets and promotional events. This initiative, combined with the stellar lineup of films, has created a perfect storm for what could be the most lucrative Spring Festival season in history.

The success of this year’s releases also highlights the resilience and creativity of China’s film industry. Despite challenges such as the pandemic and shifting consumer habits, filmmakers have continued to push boundaries, delivering stories that resonate with audiences on a deep emotional level.

As families gather to celebrate the Lunar New Year, theaters across the country are expected to be packed with eager moviegoers. From epic adventures to heartwarming tales, this year’s Spring Festival lineup offers something for everyone, cementing Chinese cinema’s place on the global stage.

Move over, blockbuster films and long-form TV series—there’s a new player in town, and it’s taking China’s entertainment industry by storm. Mini-dramas, the bite-sized digital productions that pack a punch in just a few minutes per episode, have become the latest cultural phenomenon in China. With the industry’s value skyrocketing to 37.39 billion yuan in 2023—a jaw-dropping 267.65% increase from the previous year—mini-dramas are redefining how stories are told and consumed in the digital age.

These ultra-short series, typically ranging from 1 to 10 minutes per episode, are designed for the fast-paced, on-the-go lifestyle of modern audiences. Often consumed on smartphones during commutes or breaks, mini-dramas offer quick, addictive storytelling that keeps viewers coming back for more. What started as a niche market has now exploded into a mainstream powerhouse, attracting top talent, big budgets, and millions of loyal fans.

Leading the charge is none other than Stephen Chow, the legendary filmmaker behind classics like Kung Fu Hustle and Shaolin Soccer. His debut mini-drama, Golden Pig and Jade Leaf, has already generated significant buzz for its high production values and gripping narrative. The series, which explores the dark world of online scams, is a testament to the genre’s potential for sophisticated storytelling.

But Chow isn’t the only big name diving into this space. Ada Choi, the acclaimed Hong Kong actress, has also made waves with her mini-drama Afternoon Rose, a romantic thriller that has captivated audiences with its lush visuals and intricate plot. These high-profile projects are elevating the status of mini-dramas, proving that the format is more than just a passing trend—it’s a legitimate art form.

The appeal of mini-dramas lies in their accessibility and versatility. With low production costs and quick turnaround times, they offer a platform for emerging filmmakers and actors to showcase their talent. At the same time, established stars and directors are using the format to experiment with new ideas and reach younger, tech-savvy audiences.

The rise of mini-dramas also reflects broader shifts in China’s entertainment landscape. As streaming platforms like Tencent Video, iQiyi, and Youku continue to dominate, traditional TV viewership is declining. Mini-dramas, with their mobile-friendly format and viral potential, are perfectly positioned to thrive in this new era.

Looking ahead, the future of mini-dramas seems brighter than ever. Industry experts predict that the market’s value could surpass 50 billion yuan in 2024, driven by increasing investment and innovation. As more creators and platforms embrace the format, mini-dramas are set to become a cornerstone of China’s digital entertainment ecosystem.

So, whether you’re a casual viewer or a die-hard fan, one thing is clear: mini-dramas are here to stay. With their unique blend of creativity, convenience, and cultural relevance, they’re not just changing the way we watch—they’re changing the way we tell stories.

Get ready to hit “play” on the next big thing in entertainment! 🎬📱

Jia Ling, the beloved Chinese comedian and filmmaker, has once again captured the world’s attention—but this time, it’s not just for her humor or directorial prowess. Her dramatic physical transformation and newfound elegance have become the talk of the town, especially after her appearance at the 2024 Paris Olympics, where she shared the stage with winter sports prodigy Eileen Gu.

Known for her relatable charm and self-deprecating comedy, Jia Ling has long been a household name in China. However, her recent metamorphosis—both physically and professionally—has redefined her public image. Shedding over 30 kilograms (66 pounds), Jia Ling has emerged as a symbol of discipline and reinvention, inspiring millions with her journey toward health and self-confidence.

Her appearance at the Paris Olympics was nothing short of show-stopping. Dressed in a sleek, tailored outfit that highlighted her new figure, Jia Ling exuded confidence and grace as she mingled with global celebrities and athletes. Her presence alongside Eileen Gu, the freestyle skiing gold medalist and fashion icon, created a powerful visual narrative of evolving beauty standards and the multifaceted nature of modern Chinese women.

The event also marked a significant moment in Jia Ling’s career. Once celebrated primarily for her comedic roles, she has now stepped into the spotlight as a cultural icon and role model. Her directorial debut, Hi, Mom, which became one of China’s highest-grossing films of all time, already showcased her versatility and depth as a storyteller. Now, her personal transformation has added another layer to her public persona, proving that she is much more than just a comedian.

Social media has been abuzz with praise for Jia Ling, with fans applauding her courage and determination. “She’s not just losing weight; she’s gaining a new perspective on life,” one fan commented. Another wrote, “Jia Ling is proof that it’s never too late to reinvent yourself.”

Her journey has also sparked broader conversations about body image and self-acceptance in China. In a society where beauty standards are often rigid and unforgiving, Jia Ling’s transformation sends a powerful message: true beauty lies in confidence, resilience, and the courage to embrace change.

As Jia Ling continues to captivate audiences both on and off the screen, one thing is clear: she is redefining what it means to be a celebrity in modern China. Whether through her films, her comedy, or her personal journey, Jia Ling remains a beacon of inspiration for millions.

Legendary filmmaker Stephen Chow, the creative genius behind iconic comedies like Kung Fu Hustle and Shaolin Soccer, is making waves once again—but this time, in the fast-paced world of mini-dramas. His latest project, Golden Pig and Jade Leaf, marks his debut in this rapidly growing genre, and it’s already generating buzz for its bold storytelling and timely themes.

The series, which delves into the dark and often murky world of online scams, is a departure from Chow’s signature slapstick humor but retains his knack for sharp social commentary. Set in a modern, tech-driven China, Golden Pig and Jade Leaf follows the story of a young woman who gets entangled in a high-stakes cybercrime ring. With its gripping plot and cinematic flair, the show is poised to redefine what mini-dramas can achieve.

Mini-dramas, typically consisting of episodes that are just a few minutes long, have exploded in popularity across China. In 2023 alone, the industry’s value skyrocketed to 37.39 billion yuan, a staggering 267.65% increase from the previous year. These bite-sized productions, often consumed on smartphones, have become a cultural phenomenon, offering quick, engaging content tailored to the fast-paced lives of modern audiences.

Chow’s entry into this space is a testament to the genre’s growing prestige. Once seen as low-budget and niche, mini-dramas are now attracting A-list talent and high production values. Golden Pig and Jade Leaf is a prime example, boasting a polished look and a compelling narrative that rivals traditional TV dramas.

The project also highlights Chow’s ability to adapt and innovate. Known for his groundbreaking work in film, the director has once again proven his knack for staying ahead of the curve. By embracing the mini-drama format, he’s tapping into a lucrative market while pushing the boundaries of digital storytelling.

Fans and critics alike are eagerly awaiting the release of Golden Pig and Jade Leaf, which is expected to drop later this year. If successful, it could pave the way for more high-profile creators to explore the mini-drama space, further elevating the genre’s status.

As Stephen Chow continues to reinvent himself, one thing is certain: his creative genius knows no bounds. Whether on the big screen or the small (very small) screen, Chow’s work remains a must-watch for audiences everywhere.