The Princeton Shanghai Peking Opera Immersion Program, held during Princeton University’s Wintersession from January 13 to 24, 2025, offered students, faculty, and staff a rare opportunity to immerse themselves in the rich traditions of Peking Opera. This program, a collaboration between Princeton University and professional Peking Opera artists from Shanghai, provided participants with hands-on training in singing, acting, martial arts, and more, under the guidance of some of China’s most celebrated performers.
A Unique Cultural Exchange
The program featured Madame Shi Yihong, a renowned Peking Opera artist often compared to Maria Callas for her artistry and stature. She was accompanied by three young artists—Yu Hui, Cai Xiaoying, and Xu Zhaoying—who specialize in male (sheng), female (dan), and painted-face (jing) roles, respectively. Together, they led participants through an intensive two-week curriculum designed to deepen their understanding of Peking Opera’s intricate techniques and cultural significance.
Week 1: Foundations of Peking Opera
The first week focused on introducing participants to the basics of Peking Opera. From January 13 to 17, students learned fundamental movements, singing techniques, and the use of traditional props like water sleeves, spears, and fans. The week culminated in a public masterclass led by Madame Shi Yihong on January 17, where she demonstrated the finer points of Peking Opera performance and shared insights into her illustrious career.
Week 2: Role-Specific Training
The second week, from January 20 to 24, delved deeper into role-specific training. Participants chose a character or aria to study, learning the unique skills required for their chosen role, including makeup application, beard-wearing techniques, and advanced movements. The week concluded with a recital on January 24, where students showcased their newfound skills in a public performance at Princeton’s Taplin Auditorium. Madame Shi Yihong also conducted a final masterclass, offering feedback and celebrating the participants’ progress.
A Celebration of Tradition and Innovation
The program not only highlighted the traditional aspects of Peking Opera but also emphasized its relevance in contemporary culture. Participants explored how this ancient art form continues to evolve, blending classical techniques with modern interpretations. The inclusion of a film screening series—featuring classics like Farewell My Concubine (1993) and Painted Face (1988)—further enriched the experience, offering historical and cultural context to the art form.
A Global Platform for Peking Opera
The Princeton Shanghai Peking Opera Immersion Program is part of a broader effort to promote Peking Opera on the global stage. By bringing together students, artists, and audiences from diverse backgrounds, the program fosters cross-cultural understanding and appreciation for this quintessentially Chinese art form. As Madame Shi Yihong noted, “Peking Opera is not just a performance; it’s a way of life, a bridge between the past and the present”.
